Around Perception
An early experiment in employing computers to animate film. The result is a dazzling vibration of geometric forms in vivid color, an effect achieved by varying the speed at which alternate colors change, so producing optical illusions. In between these screen pyrotechnics appears a simple line form gyrating in smooth rhythm. Sound effects are created by registering sound shapes directly on the soundtrack of the film.
Genere: Animazione
Cast:
Equipaggio: Pierre Hébert (Director), Pierre Hébert (Music), Robert Verrall (Producer), Claude Lapierre (Animation)
Parola chiave:
Around Perception 1968
ONF | NFB
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